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Donnerstag, 5. Juli 2012
Sonntag, 11. März 2012
Preview: HABITAT
Welcome to "Preview", the new installment on my humble indiegame blog. Here I will present an interesting game from one of my fellow developers and provide a short interview!
This time we are taking a look at "HABITAT"...this is an Arcade-FPShooter with as many enemies per minute (epm) as possible developed by "MaHo". This sounds like a lot of fun in itself but it is also a story driven game. How does that mix? Read below!
The game is about exploring a strange unreal world, searching for yourself and your name while you put yourself together piece for piece. Vision, legs, hands, 6th sense, a tool, upgrades ...
You will see the development in Cutscenes and in appearing Huds, completing up to the final optic of the game one after another.
Meanwhile you get hunted by GLAS, the guy that brakes down a war with the TWINS ages ago. Some inhabitants like ONE and SENSE will help you, others try to kill you. Why all this happens and what is your part in this game?... well, we will see when the times come.
Sounds pretty surreal! I like it so far, personally.
Gameplay/Features:
This starts out very slow, all about introducing the enviroment, credits, some puzzles and jump&run.
But then it speeds up and the shooting starts.
Beside the cryptic story it is all about 1 simple thing: EPM = Enemies per Minute.
Trying to create a FPShooter with the feeling of the old 2d-arcade classics like R-Type, Gradius, Turrican a.o., so a simple & hard straight-shooter without that much of tactics that are actual used in modern FPS. Maho doesn't like the games where a max of 3-4 enemies appear at a time wich you shoot down for 5 minutes. It has to be fast and brutal hard, with masses of quickly dying enemies and really big bossfights.
For example: Killcount (Refeeds) in the 3rd Chapter goes up to nearly 200 in about 5 minutes (speedrun), around 35 EPM, 1 enemy every 1 1/2 seconds. and this is only a half intro-level where the action starts.
It will rise the count up by inserting more bombs and bigger guns, so enemies die faster and it will respawn the next wave > more enemies > more speed > more action > more fun.
As with every good 2d-shooter, enemies enter in waves. when a wave is destroyed, a reward drops (weapon-upgrades, ammo, healthpacks, satelites, lots of different bombs, speedzones a.s.o.). the waves are triggered, so you can drive your own pace most of the time, but believe me: the faster and better you get, the more fun it is.
You only have 1 live for the whole game and NO player-activated saves, only an automatic save at the end of each sub-chapter to hold the tension and dont make it too easy. yes, its a feature.
Further Features for the moment (tested, means i can get it working):
- Multitool (Basic Weapon) with 10.000 rounds, more than 6 different Upgrades (additional weapons with limited ammo)
- Particle-Bombs: cluster, stream/linebombs, crossbombs, circlebombs ...
- Healthpacks (Rehab) and healthzones/ healing characters
- A Compass with direction-HUDs, displayed enemy-warnings and ingame voiceover (6th Sense, its a female character that you carry through the game on your back)
- All different types of additional HUDS (bomb/rehab-markers, satelite-timers, a leveltimer in combination with a killcount (not a stupid killcount but storybased, you will see) a.s.o. )
- text-HUDS and npc-voiceovers for story (in progress, have done it before for a short-movie, so it should work)
- additional \"visions\", means fast,animated huds appearing in the right places to drive the story
- cutscenes (storyboards are in progress)
- railshooter-levels
...
Additional Features with WASP-mod/v1.19 (tested):
- smooth animated compass
- player-speedzones
- forced cam/plr-movement
- body armor
- enemy-radar
...
Graphics:
The creator is a big fan of monochrome pictures and very rare color. its good for this because he can save performance with this style for more enemies.
As the character and following the story, also the world develops, getting more complex in forms and materials with each level.
the graphics-style is timeless, could be a game from ten years ago (remember games called FLASHBACK or ANOTHER WORLD? ) or 100 in the future because i use absolute basic meshes most of the time, just getting more and more complex. we will see how far fpsc can follow.
This is something I personally concider another great way to work around FPSC's limitations. Very creative.
Music & Sounds:
Electronic/Noise/Ambient, fits to the enviroment.
The soundscape is set up by the actions of the player, means there is a basic ambient theme as backgroundmusic, but beats and additional instruments are part of the enviroment, so when you enter triggerzones, pick up items or kill enemies, additional parts of the soundscape are triggered.
This results in generating a new composed soundscape with nearly each level-restart.
You remember me talking about an interview, don't you? :) Well, forget about it!
Or maybe not...
Maybe I just shove it in your face, how about that?
INTERVIEW WITH "MaHo" (creator of HABITAT and Brummbär)
Or maybe not a bär... who knows?
* You are rather new to FPSCreator and you already have such a creative, visually appealing and well developed project at hands. How do ya do it? Do you have any modding, gamedeveloping past?
Don’t laugh. Commodore Amiga 3d-Construction Kit, 1989… no, nothing in gamedeveloping, but working as a design-artist helps a lot.
When I decided for the engine, I searched web and the forums for about a month. There are so much tutorials, free stuff like scripts and modells out there for this its amazing. So its pretty easy to learn and adapt in a short time. But mainly it was a talk about how to transport a classic shoot´em-up system into FPSC with Ched80 that sucked me in. He gives my the right hints in scripting with dimvars, was a real moment of clarity and the base for this project. Means really big credits, Chris.
* Why chosing FPSC in the first place?
Because I am a total loss in coding, love dreamweaver. I thought the “big” engines need more a programmer than a designer, maybe I am wrong, but too late. So I searched for an easy to use solution because my main interest was a framework for learning 3d-stuff. I need bigger projects to hold up motivation, don’t like small test after test without a big thing around it. Decided to do a game, found FPSC and it looked fast to go but good for custom … well, a week later I started learn scripting from scratch.
* While your game appears to be stylized, having a rather "overdesigned" (sorry for the term) look it still has a storyline. How do you get this working?
I like that term. Technically or storytelling? Technically using mainly cutscenes and talks, whispers in the head and dreams/visions as fast ingame-flashes. The game is very straight as a Shoot´em-Up should be, so it’s a shootout from one storypoint to the next.
When you think about how to integrate a story in general into a strange and reduced enviroment... I don’t think there are any problems when you can focus on believable characters and situations understandable from a human point of view. Look at the modern theatre where nearly no scenery is used, only some shapes and forms. A lovestory remains a lovestory, even if its historical, modern or scifi… or totally nuts.
* Will your game be free, or do you/ have you ever concidered selling them?
Story in my head is a minimum of 7, but i am creating chapter 1 and 2. That’s the first step wich will definitely be free. Its my first work in games, so mainly some stuff for my artbook. Whats next beyond this if people like it.. playing air-guitar.
* "- Particle-Bombs: cluster, stream/linebombs, crossbombs, circlebombs ..." How do you plan to do this? If you dont want to give away your secrets, feel free to reply rather general.
You think of the dissability to trigger particles in FPSC? Setup a bomb-entity the player can activate wich triggers one or more bombzones with activatetarget=X and some propper setup particles appeared totally faded with a variable as a trigger so they fade-in again for 1-3 seconds before destroyed and finally edit all necessary character-mainscripts to get destroyed when activated=x. … That was a long sentence.
Don’t think of transportable particle-grenades or stuff like that. It’s a classic shoot´em-up bombsystem: trigger static bomb to clear the screen (partly or total) and move on, so easy to do.
* Does your videogame influence your professional career at any level?
In graphics-style of course yes, and also vice versa. As said, the main intention for this whole project was to learn 3d. Blender is really hard stuff but very cool now I (nearly not) know how to use. Cutscenes and modells will help to learn how to do animation-sequences… not that bad addition for a design artist.
* What holds the future for fpscreator and its community? What are your thoughts?
I am not long and deep enough inside this scene to give an answer to this. But looking through the indiewebs, I see 5 nonmod-first-person projects that look really interesting AND that may get finished (very rare), and 2 of them are done with FPSC, another one absolutely possible to do.
FPSC is limited in performance, physics,fx and more. But its cheap, easy to learn and gives you the ability to do some real amazing games. Simply the mass of stock-solutions (not only media but mainly given scripts and tutorials to customize a given frame) is the best solution for solo-developers to get things done in time to get bigger projects finished than in other engines more complex and custom where you need a team to get done without loosing yourself in update after update. But if the kids think a good game is blingbling graphics… better ask Lee or yourself about the future, you are the one that is experienced in gamedev and also other engines.
* If you would sum up your game in three sentences...?
Thats the question everyone should ask himself before starting a project, but ...who the heck does? I do one because I am lazy:
“The fast and hard gameplay of a classic Shoot´em-Up in a 3d-enviroment, exploring a strange world beyond your imagination full of friends and foes, to walk the path of life and find your inner self.”
Sounds like Conan or Spiderman, didn’t it? Wait, then download and play. I don’t know exactly what I am doing here.
* Did you encounter problems while realising your rather unique design? If so, how did you overcome them?
I did this design to get rid of problems and whole departments. I cancelled nearly completely textures and lights to save time in dev, and shaders because they are not working in the fog. With this minimalizing you get a better focus on the main things, for me as developer to learn as for the player to concentrate on. So there is not much detail to hold you back, gameplay- and development-pace should be way higher.
In using only shapes and sounds I have to create a very unique design for each single main-character so the player reminds them. Strong shapes, music, sounds and voice should be enough to do this, wich is a very interesting task for me as a photoshopper. But now I have the basics done, the game will develop as I develop, so lets see how this ends, I don’t know. What I can do in design and propper technics is what the story ingame will go.
*your interest in videogames origins...?
Well, TRON was one of my first cinema-movies when i was a child, so ... i was there, second generation, remember arcade-halls?
Interest in origins … not that much, but when you can still enjoy a simple game that uses a 20years old technics today, that’s great and very rare in todays productions. Yes, PONG-fanboy. Leftrightleftright for hours!
* Why is your avatar a bear?
I like bears, great animals. Not that small and assembling pounds on the hip for winter. Calm brumbling but it can get very loud without warning when you finally got through thick skin. Teddybear says the girl to the left.
I feel the need to personally thank MaHo for his time for the interview and for the splendid material he delivered to illustrate it.
I personally concider this to be one of the most interesting FPSC titles since... ever. And I'm looking forward to get my hands on it. Concider this to be a prime example for good development in FPSCreator.
Visit this thread for more information.
Thanks for reading.
This time we are taking a look at "HABITAT"...this is an Arcade-FPShooter with as many enemies per minute (epm) as possible developed by "MaHo". This sounds like a lot of fun in itself but it is also a story driven game. How does that mix? Read below!
The game is about exploring a strange unreal world, searching for yourself and your name while you put yourself together piece for piece. Vision, legs, hands, 6th sense, a tool, upgrades ...
You will see the development in Cutscenes and in appearing Huds, completing up to the final optic of the game one after another.
Meanwhile you get hunted by GLAS, the guy that brakes down a war with the TWINS ages ago. Some inhabitants like ONE and SENSE will help you, others try to kill you. Why all this happens and what is your part in this game?... well, we will see when the times come.
Sounds pretty surreal! I like it so far, personally.
This starts out very slow, all about introducing the enviroment, credits, some puzzles and jump&run.
But then it speeds up and the shooting starts.
Beside the cryptic story it is all about 1 simple thing: EPM = Enemies per Minute.
Trying to create a FPShooter with the feeling of the old 2d-arcade classics like R-Type, Gradius, Turrican a.o., so a simple & hard straight-shooter without that much of tactics that are actual used in modern FPS. Maho doesn't like the games where a max of 3-4 enemies appear at a time wich you shoot down for 5 minutes. It has to be fast and brutal hard, with masses of quickly dying enemies and really big bossfights.
For example: Killcount (Refeeds) in the 3rd Chapter goes up to nearly 200 in about 5 minutes (speedrun), around 35 EPM, 1 enemy every 1 1/2 seconds. and this is only a half intro-level where the action starts.
It will rise the count up by inserting more bombs and bigger guns, so enemies die faster and it will respawn the next wave > more enemies > more speed > more action > more fun.
As with every good 2d-shooter, enemies enter in waves. when a wave is destroyed, a reward drops (weapon-upgrades, ammo, healthpacks, satelites, lots of different bombs, speedzones a.s.o.). the waves are triggered, so you can drive your own pace most of the time, but believe me: the faster and better you get, the more fun it is.
You only have 1 live for the whole game and NO player-activated saves, only an automatic save at the end of each sub-chapter to hold the tension and dont make it too easy. yes, its a feature.
Further Features for the moment (tested, means i can get it working):
- Particle-Bombs: cluster, stream/linebombs, crossbombs, circlebombs ...
- Healthpacks (Rehab) and healthzones/ healing characters
- A Compass with direction-HUDs, displayed enemy-warnings and ingame voiceover (6th Sense, its a female character that you carry through the game on your back)
- All different types of additional HUDS (bomb/rehab-markers, satelite-timers, a leveltimer in combination with a killcount (not a stupid killcount but storybased, you will see) a.s.o. )
- text-HUDS and npc-voiceovers for story (in progress, have done it before for a short-movie, so it should work)
- additional \"visions\", means fast,animated huds appearing in the right places to drive the story
- cutscenes (storyboards are in progress)
- railshooter-levels
...
Additional Features with WASP-mod/v1.19 (tested):
- smooth animated compass
- player-speedzones
- forced cam/plr-movement
- body armor
- enemy-radar
...
Graphics:
The creator is a big fan of monochrome pictures and very rare color. its good for this because he can save performance with this style for more enemies.
As the character and following the story, also the world develops, getting more complex in forms and materials with each level.
the graphics-style is timeless, could be a game from ten years ago (remember games called FLASHBACK or ANOTHER WORLD? ) or 100 in the future because i use absolute basic meshes most of the time, just getting more and more complex. we will see how far fpsc can follow.
This is something I personally concider another great way to work around FPSC's limitations. Very creative.
Music & Sounds:
Electronic/Noise/Ambient, fits to the enviroment.
The soundscape is set up by the actions of the player, means there is a basic ambient theme as backgroundmusic, but beats and additional instruments are part of the enviroment, so when you enter triggerzones, pick up items or kill enemies, additional parts of the soundscape are triggered.
This results in generating a new composed soundscape with nearly each level-restart.
You remember me talking about an interview, don't you? :) Well, forget about it!
Or maybe not...
Maybe I just shove it in your face, how about that?
INTERVIEW WITH "MaHo" (creator of HABITAT and Brummbär)
Or maybe not a bär... who knows?
* You are rather new to FPSCreator and you already have such a creative, visually appealing and well developed project at hands. How do ya do it? Do you have any modding, gamedeveloping past?
Don’t laugh. Commodore Amiga 3d-Construction Kit, 1989… no, nothing in gamedeveloping, but working as a design-artist helps a lot.
When I decided for the engine, I searched web and the forums for about a month. There are so much tutorials, free stuff like scripts and modells out there for this its amazing. So its pretty easy to learn and adapt in a short time. But mainly it was a talk about how to transport a classic shoot´em-up system into FPSC with Ched80 that sucked me in. He gives my the right hints in scripting with dimvars, was a real moment of clarity and the base for this project. Means really big credits, Chris.
* Why chosing FPSC in the first place?
Because I am a total loss in coding, love dreamweaver. I thought the “big” engines need more a programmer than a designer, maybe I am wrong, but too late. So I searched for an easy to use solution because my main interest was a framework for learning 3d-stuff. I need bigger projects to hold up motivation, don’t like small test after test without a big thing around it. Decided to do a game, found FPSC and it looked fast to go but good for custom … well, a week later I started learn scripting from scratch.
* While your game appears to be stylized, having a rather "overdesigned" (sorry for the term) look it still has a storyline. How do you get this working?
I like that term. Technically or storytelling? Technically using mainly cutscenes and talks, whispers in the head and dreams/visions as fast ingame-flashes. The game is very straight as a Shoot´em-Up should be, so it’s a shootout from one storypoint to the next.
When you think about how to integrate a story in general into a strange and reduced enviroment... I don’t think there are any problems when you can focus on believable characters and situations understandable from a human point of view. Look at the modern theatre where nearly no scenery is used, only some shapes and forms. A lovestory remains a lovestory, even if its historical, modern or scifi… or totally nuts.
* Will your game be free, or do you/ have you ever concidered selling them?
Story in my head is a minimum of 7, but i am creating chapter 1 and 2. That’s the first step wich will definitely be free. Its my first work in games, so mainly some stuff for my artbook. Whats next beyond this if people like it.. playing air-guitar.
* "- Particle-Bombs: cluster, stream/linebombs, crossbombs, circlebombs ..." How do you plan to do this? If you dont want to give away your secrets, feel free to reply rather general.
You think of the dissability to trigger particles in FPSC? Setup a bomb-entity the player can activate wich triggers one or more bombzones with activatetarget=X and some propper setup particles appeared totally faded with a variable as a trigger so they fade-in again for 1-3 seconds before destroyed and finally edit all necessary character-mainscripts to get destroyed when activated=x. … That was a long sentence.
Don’t think of transportable particle-grenades or stuff like that. It’s a classic shoot´em-up bombsystem: trigger static bomb to clear the screen (partly or total) and move on, so easy to do.
* Does your videogame influence your professional career at any level?
In graphics-style of course yes, and also vice versa. As said, the main intention for this whole project was to learn 3d. Blender is really hard stuff but very cool now I (nearly not) know how to use. Cutscenes and modells will help to learn how to do animation-sequences… not that bad addition for a design artist.
* What holds the future for fpscreator and its community? What are your thoughts?
I am not long and deep enough inside this scene to give an answer to this. But looking through the indiewebs, I see 5 nonmod-first-person projects that look really interesting AND that may get finished (very rare), and 2 of them are done with FPSC, another one absolutely possible to do.
FPSC is limited in performance, physics,fx and more. But its cheap, easy to learn and gives you the ability to do some real amazing games. Simply the mass of stock-solutions (not only media but mainly given scripts and tutorials to customize a given frame) is the best solution for solo-developers to get things done in time to get bigger projects finished than in other engines more complex and custom where you need a team to get done without loosing yourself in update after update. But if the kids think a good game is blingbling graphics… better ask Lee or yourself about the future, you are the one that is experienced in gamedev and also other engines.
* If you would sum up your game in three sentences...?
Thats the question everyone should ask himself before starting a project, but ...who the heck does? I do one because I am lazy:
“The fast and hard gameplay of a classic Shoot´em-Up in a 3d-enviroment, exploring a strange world beyond your imagination full of friends and foes, to walk the path of life and find your inner self.”
Sounds like Conan or Spiderman, didn’t it? Wait, then download and play. I don’t know exactly what I am doing here.
* Did you encounter problems while realising your rather unique design? If so, how did you overcome them?
I did this design to get rid of problems and whole departments. I cancelled nearly completely textures and lights to save time in dev, and shaders because they are not working in the fog. With this minimalizing you get a better focus on the main things, for me as developer to learn as for the player to concentrate on. So there is not much detail to hold you back, gameplay- and development-pace should be way higher.
In using only shapes and sounds I have to create a very unique design for each single main-character so the player reminds them. Strong shapes, music, sounds and voice should be enough to do this, wich is a very interesting task for me as a photoshopper. But now I have the basics done, the game will develop as I develop, so lets see how this ends, I don’t know. What I can do in design and propper technics is what the story ingame will go.
*your interest in videogames origins...?
Well, TRON was one of my first cinema-movies when i was a child, so ... i was there, second generation, remember arcade-halls?
Interest in origins … not that much, but when you can still enjoy a simple game that uses a 20years old technics today, that’s great and very rare in todays productions. Yes, PONG-fanboy. Leftrightleftright for hours!
* Why is your avatar a bear?
I like bears, great animals. Not that small and assembling pounds on the hip for winter. Calm brumbling but it can get very loud without warning when you finally got through thick skin. Teddybear says the girl to the left.
I feel the need to personally thank MaHo for his time for the interview and for the splendid material he delivered to illustrate it.
I personally concider this to be one of the most interesting FPSC titles since... ever. And I'm looking forward to get my hands on it. Concider this to be a prime example for good development in FPSCreator.
Visit this thread for more information.
Thanks for reading.
Donnerstag, 1. März 2012
New Mesh H&K MP5
Hey there!
I recently have got this request and here is what came of it. An MP5 for a fellow developer. It shall be textured soon.
Well, how can I say this. I'm kind of statisfied with the result. An MP5 isnt exactly an easy weapon to model. At least not for me. I think I came rather close to the thing while keeping a pretty low poly count. The simplified stock is...simplified because it wont be seen in any first person shooter game.
If you are interesting in requesting or obtaining a gun presented on this blog, feel free to contact me.
-Adrien
Montag, 20. Februar 2012
Review // Dear Esther
Dear Reader,
not only does my humble little blog about my humble little Indie Gamedesign Hobby now celebrate its 2000 Visitors, I also want to review other independent game's out there, air my thoughts on it and provide an overall enjoyable read. I would like to start this new part of my blog with the recently released "Dear Esther".
I downloaded Dear Esther without even knowing what kind of game it is. I was expecting some sort of scary riddlesolving adventure with a lot of physicbased puzzles. However, this is not the case... at all.
The first thing you notice as soon as you launch "Dear Esther" is the art. Oh! The Art! The wonderful vibrant, yet dark and uninviting ocean. The weathered, scared coast... the wonderfull, slightly surreal sky and all the love to the detail and the sheer realism of the map. I would concider this to be one of the most beautiful games I've seen so far. However! Beauty lies in the eye of the beholder and I can imagine that a lot of players, the Xbox generation, will concider the game to look "dated."
I like to say that Dear Esther is, visually, the exact opposite of Crytek's "Crysis". While Crysis excells in technique and the mathematical part of visual design (Shaders, Meshes, PostProcessing) but (for me) really flops at artdirection and ambience, Dear Esther is fantastic when it comes to the art itself. (Feel, Athmosphere, Colors, Impression,Textures) while being a bit minimalistic in technical terms. I haven't researched it but I'm pretty sure "Dear Esther" runs on the source engine. I just got a certain feel for the gears behind a game. It comes with the trade (If I'm wrong, blow me!) A friend told me that the game was a mod prior to the stand alone game but I dont know for what game. I just guess Half Life².
If you look close, you see what simple techniques have been used to achieve these breathtaking visuals. The foliage that covers up the vivid coastline is made out of simple planes that turn towards the player as he moves through it. (this really works for the grass, but I found it out of place for the fluorescent mushrooms later in the game.) The rocks and a lot of meshes have a fairly low polygoncount which makes them look a little off sometimes and a bunch of textures in the outdoorpart of the game seem oversharpened. You should be able to enjoy it on a dual core with a geforce 8 / 7 series graphics card or similar ATI type.
So! Here I am on this coast. The game introduces with a letter written in a sad undertone which sets the mood just perfectly. I then try to swim... which makes me drown in an odd way. After an almost whispered "come back". I returned to the shore. Amused by that, I entered the worndown, nearby lighthouse and a flashlight got switched on automatically I instinctively tried to turn it off with the "f" button. ... nothing happened. The attempt to interact with anything in the lighthouse turned out to be quiet disappointing aswell so I left. My alter ego automatically ducked as a seagull flew escaped the lightouse and flew over my head. My further journey along the coastlines, amazed by the beauty of the sea's horizon and with my constant companion: The guilt stricken lines to a certain Esther. After my analytical interest in the game started to fade my mind started to venture astray from the game while playing. Me too, I was once taking long walks along the coastlines of the netherlands, thinking about lost love and how I messed it up royally, caressed by the strong winterwinds blowing from the sea. A cocktail of anger, emptiness and sadness inside... and I rage quitted the game.
At this point I was almost mad at the game for bein nothing but a sad, depressing take on solitude and despair. It took me some time to realise that it was not ment to be a game, but art. So I played it again. This time finished it. This time, I loved it.
Something on the visuals that has to be mentioned in an extra paragraph are the surreal waterloaded caves. They are, to put it in one word: Astounding. While they don't look realistic in any way and differ from the outdoor visuals (this time we see more normalmapping and other shader effects) they are just gorgeous. Beautiful leveldesign here. It was sheer fun to explore them. I took some screenshots for you guys: Enjoy.
As I exit the caves, its dark outside and the story pretty much unfolded itself for me already. I won't spoil anything but I can tell you this:Its pretty much what you expect it to be after the first few lines spoken. No twists, no surprises...but well written and surprisingly good voiceacting.
The final ascension is, as you would expect stunningly beautiful... yet very sad. So ist the ending.
I was actually surprised and strangely moved by it. I left my computer with a strange feeling in my guts...like I just watched a very moving and dramatic movie.
This game shows what videogames can be and that there is no genre that it can't be.
The Art, the poetry, the symbolism. Obvious yet subtle at once is just great work.
It is what indiegames stand for and what movies have lost over the years. Is it boring? yes! To most gamers it will be... especially the lag of game in this game will make most people loose interest. Is it overpriced? yes! 8,99 for an hour of game"play" is too much especially as it has zero replay value. Would I recommend it? Yes! To everyone who enjoys "different" things as much as I do and who cares about our art form is this a must play.
One final complaint: The cameramovement is really... it sucks. It feels like you are controlling a camera in a 3D editor. I would have wanted this a little bit less static.
Trivia: I noticed a silhouette walking away from me and later on standing on a rock watching me in the game. Can you find it too? =D
Thanks for reading and give it a try if I made you interested. You can get it on steam. Its developed by "the chinese room". Just don't play it if you are suicidal.
Typos can be kept. No charge.
I am Wolf and I approve this review.
-Adrien
not only does my humble little blog about my humble little Indie Gamedesign Hobby now celebrate its 2000 Visitors, I also want to review other independent game's out there, air my thoughts on it and provide an overall enjoyable read. I would like to start this new part of my blog with the recently released "Dear Esther".
I downloaded Dear Esther without even knowing what kind of game it is. I was expecting some sort of scary riddlesolving adventure with a lot of physicbased puzzles. However, this is not the case... at all.
The first thing you notice as soon as you launch "Dear Esther" is the art. Oh! The Art! The wonderful vibrant, yet dark and uninviting ocean. The weathered, scared coast... the wonderfull, slightly surreal sky and all the love to the detail and the sheer realism of the map. I would concider this to be one of the most beautiful games I've seen so far. However! Beauty lies in the eye of the beholder and I can imagine that a lot of players, the Xbox generation, will concider the game to look "dated."
I like to say that Dear Esther is, visually, the exact opposite of Crytek's "Crysis". While Crysis excells in technique and the mathematical part of visual design (Shaders, Meshes, PostProcessing) but (for me) really flops at artdirection and ambience, Dear Esther is fantastic when it comes to the art itself. (Feel, Athmosphere, Colors, Impression,Textures) while being a bit minimalistic in technical terms. I haven't researched it but I'm pretty sure "Dear Esther" runs on the source engine. I just got a certain feel for the gears behind a game. It comes with the trade (If I'm wrong, blow me!) A friend told me that the game was a mod prior to the stand alone game but I dont know for what game. I just guess Half Life².
If you look close, you see what simple techniques have been used to achieve these breathtaking visuals. The foliage that covers up the vivid coastline is made out of simple planes that turn towards the player as he moves through it. (this really works for the grass, but I found it out of place for the fluorescent mushrooms later in the game.) The rocks and a lot of meshes have a fairly low polygoncount which makes them look a little off sometimes and a bunch of textures in the outdoorpart of the game seem oversharpened. You should be able to enjoy it on a dual core with a geforce 8 / 7 series graphics card or similar ATI type.
So! Here I am on this coast. The game introduces with a letter written in a sad undertone which sets the mood just perfectly. I then try to swim... which makes me drown in an odd way. After an almost whispered "come back". I returned to the shore. Amused by that, I entered the worndown, nearby lighthouse and a flashlight got switched on automatically I instinctively tried to turn it off with the "f" button. ... nothing happened. The attempt to interact with anything in the lighthouse turned out to be quiet disappointing aswell so I left. My alter ego automatically ducked as a seagull flew escaped the lightouse and flew over my head. My further journey along the coastlines, amazed by the beauty of the sea's horizon and with my constant companion: The guilt stricken lines to a certain Esther. After my analytical interest in the game started to fade my mind started to venture astray from the game while playing. Me too, I was once taking long walks along the coastlines of the netherlands, thinking about lost love and how I messed it up royally, caressed by the strong winterwinds blowing from the sea. A cocktail of anger, emptiness and sadness inside... and I rage quitted the game.
At this point I was almost mad at the game for bein nothing but a sad, depressing take on solitude and despair. It took me some time to realise that it was not ment to be a game, but art. So I played it again. This time finished it. This time, I loved it.
Something on the visuals that has to be mentioned in an extra paragraph are the surreal waterloaded caves. They are, to put it in one word: Astounding. While they don't look realistic in any way and differ from the outdoor visuals (this time we see more normalmapping and other shader effects) they are just gorgeous. Beautiful leveldesign here. It was sheer fun to explore them. I took some screenshots for you guys: Enjoy.
As I exit the caves, its dark outside and the story pretty much unfolded itself for me already. I won't spoil anything but I can tell you this:Its pretty much what you expect it to be after the first few lines spoken. No twists, no surprises...but well written and surprisingly good voiceacting.
The final ascension is, as you would expect stunningly beautiful... yet very sad. So ist the ending.
I was actually surprised and strangely moved by it. I left my computer with a strange feeling in my guts...like I just watched a very moving and dramatic movie.
This game shows what videogames can be and that there is no genre that it can't be.
The Art, the poetry, the symbolism. Obvious yet subtle at once is just great work.
It is what indiegames stand for and what movies have lost over the years. Is it boring? yes! To most gamers it will be... especially the lag of game in this game will make most people loose interest. Is it overpriced? yes! 8,99 for an hour of game"play" is too much especially as it has zero replay value. Would I recommend it? Yes! To everyone who enjoys "different" things as much as I do and who cares about our art form is this a must play.
One final complaint: The cameramovement is really... it sucks. It feels like you are controlling a camera in a 3D editor. I would have wanted this a little bit less static.
Trivia: I noticed a silhouette walking away from me and later on standing on a rock watching me in the game. Can you find it too? =D
Thanks for reading and give it a try if I made you interested. You can get it on steam. Its developed by "the chinese room". Just don't play it if you are suicidal.
Typos can be kept. No charge.
I am Wolf and I approve this review.
-Adrien
Freitag, 17. Februar 2012
Old News // Some old Models
And now to fill the gap to the next more up to date blogpost some old models:
Thanks for checking this out! i'll be back with updates on my more recent projects ASAP. Sorry for the delay but I have a fulltime job now. I'll go into detail on that in another post, until then. Take a look at that scifipistol, I think its actually pretty cool.
Take care!
-Adrien
Take care!
-Adrien
Donnerstag, 12. Januar 2012
UDK// Relikt - slow development
Even though Relikt is my most ambitious videogame project to date, I just haven't found time and motivation to get it really far within the last couple of days. However, I did do a couple of changes and I present them to you of course :)
The Moddb Profile is updated now aswell so....check it out ;)
The most interesting new thing is the claymore blade which was a pain in the ass to get it to work. Its still buggy and won't play the animations correctly. However, Idle animation is working, its showing up correctly in the game, its placed on the right spot...thats already half the battle, right? ....right? :(
I really need to rebuild that lighting >.<
This is Melissa, my test mesh and protoype character. In the game, she will be an alchemist working on some potions here. There is also a Nice comparison to earlier versions on this game's Indiedb profile.
Well, I really don't have anything more to add so see you all next time :)
The Moddb Profile is updated now aswell so....check it out ;)
The most interesting new thing is the claymore blade which was a pain in the ass to get it to work. Its still buggy and won't play the animations correctly. However, Idle animation is working, its showing up correctly in the game, its placed on the right spot...thats already half the battle, right? ....right? :(
I really need to rebuild that lighting >.<
This is Melissa, my test mesh and protoype character. In the game, she will be an alchemist working on some potions here. There is also a Nice comparison to earlier versions on this game's Indiedb profile.
Well, I really don't have anything more to add so see you all next time :)
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